"Geometric Apocalypse: Order in Chaos" integrates Jonas Fyhr’s haunting apocalyptic imagery with the precise, calculated forms of Theo Aartsma’s geometric art. The icy blue background enhances the cold, structured nature of the geometric shapes, which impose order on scenes of urban and natural decay. From the skull divided by sharp lines to the sunset rendered in triangular forms, each stamp in this series invites a contemplation of the interplay between end times and the enduring human desire
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