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RhythmRefine: Perfect Your Poetry’s Flow
RhythmRefine is your essential tool for analyzing and refining the meter of any poem. It identifies the meter type, provides a line-by-line breakdown, and explains how the meter contributes to the poem's tone and mood. For original works, it offers tailored suggestions to improve rhythm, consistency, and overall impact. Ideal for poets and educators, RhythmRefine helps you master metrical precision, ensuring your verses flow with elegance and power.
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Over 1 month ago
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Prompt Details
Model
Chat - GPT-4o (gpt-4o)
Token size
142 ($0.00710 / call)
Example input
[Paste your poem to be revised or analyzed here.]: What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot—— The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I’ve a call. It’s easy enough to do it in a cell. It’s easy enough to do it and stay put. It’s the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: ‘A miracle!’ That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart—— It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash— You poke and stir. Flesh, bone, there is nothing there—— A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air.
[Writing/Analyzing]: analyzing
Example output
Here’s a detailed metrical analysis of the poem, breaking it down by stressed (´) and unstressed (˘) syllables, with slashes (/) to separate each foot in the meter. I’ll highlight any variations or inconsistencies in the meter and explain how it contributes to the poem's tone, mood, and overall impact.
---
### **Stanza 1:**
1. **˘ ˘ ´ / ˘ ˘ ´**
**I have / done it / a-gain.**
- The line starts with an anapestic meter (two unstressed followed by a stressed syllable).
2. **˘ ´ ˘ / ˘ ´ / ˘ ˘ ´**
**One year / in ev- / er-y ten**
- Mixed meter, starting with an iamb and moving into an anapestic meter.
3. **˘ ˘ ´**
**I man- / age it——**
- Anapestic meter.
---
### **Stanza 2:**
1. **˘ ˘ ´ / ˘ ˘ ´**
**A sort / of walk- / ing mir- / a-cle,**
- Anapestic meter with a slight variation at the end.
2. **˘ ˘ ´ / ˘ ´ ˘ / ˘ ´**
**my skin / Bright as / a Nazi / lamp-shade,**
- Mostly anapestic, with a shift to iambic in the middle.
3. **˘ ˘ ´ / ˘ ´**
**My right / foot**
- Anapestic meter.
---
### **Stanza 3:**
1. **˘ ˘ ´**
**A pa- / per-weight,**
- Anapestic meter.
2. **˘ ˘ ´ / ˘ ´ ˘**
**My face / a fea- / ture-less,**
- Anapestic meter with an extra unstressed syllable at the end.
3. **˘ ´ / ˘ ´**
**fine Jew / lin-en.**
- Iambic meter.
---
### **Stanza 4:**
1. **˘ ´ / ˘ ´ ˘ / ˘ ´**
**Peel off / the nap- / kin O / my en- / e-my.**
- Iambic meter with slight variation.
2. **˘ ´**
**Do I / ter-ri- / fy?——**
- Iambic meter.
---
### **Stanza 5:**
1. **˘ ´ / ˘ ´ / ˘ ´**
**The nose, / the eye / pits, the / full set / of teeth?**
- Consistent iambic meter.
2. **˘ ´ / ˘ ´**
**The sour / breath**
- Iambic meter.
3. **˘ ´ / ˘ ´ / ˘ ´**
**Will van- / ish in / a day.**
- Iambic meter.
---
### **Stanza 6:**
1. **˘ ´ / ˘ ´**
**Soon, soon / the flesh**
- Iambic meter.
2. **˘ ´ / ˘ ´ / ˘ ´**
**The grave / cave ate / will be**
- Iambic meter.
3. **˘ ´ / ˘ ´ / ˘ ´**
**At home / on me**
- Iambic meter.
---
### **Stanza 7:**
1. **˘ ´ / ˘ ´ / ˘ ´**
**And I / a smil- / ing wo- / man.**
- Iambic meter with a variation in the last foot.
2. **˘ ´ / ˘ ´ / ˘ ´**
**I am / on-ly / thir-ty.**
- Iambic meter.
3. **˘ ´ / ˘ ´ / ˘ ´**
**And like / the cat / I have / nine times / to die.**
- Iambic meter with a consistent rhythm.
---
### **Stanza 8:**
1. **˘ ´ / ˘ ´ / ˘ ´**
**This is / Num-ber / Three.**
- Iambic meter.
2. **˘ ´ / ˘ ´ / ˘ ´**
**What a / trash**
- Iambic meter.
3. **˘ ´ / ˘ ´ / ˘ ´**
**To an- / ni-hi- / late each / de-cade.**
- Iambic meter with a slight variation.
---
### **Analysis of Meter’s Impact:**
- **Anapestic Meter:** The frequent use of anapestic meter creates a rolling, almost relentless rhythm, reflecting the speaker’s persistent return to life despite the pain and trauma.
- **Iambic Meter:** The use of iambic meter in many lines gives a steady, rhythmic quality, reinforcing the poem’s reflective tone.
- **Variations:** The poem’s variations in meter, including shifts between iambic and anapestic, contribute to the unsettling and eerie mood. These shifts can symbolize the speaker’s fluctuating mental state, the tension between life and death, and the struggle between resignation and defiance.
- **Overall Tone and Mood:** The meter, with its variations and occasional disruptions, mirrors the themes of survival, resilience, and the horrors of existence that the poem explores. It adds to the poem’s haunting and intense atmosphere, amplifying the emotional impact on the reader.
---
This detailed breakdown of the poem's meter helps highlight the technical elements that contribute to its overall effect. The shifts between different metrical patterns play a significant role in conveying the poem's complex emotions and themes.