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Prompt Details

Model
(claude-5-sonnet)
Token size
583
Example input
[VOICE_AND_DRAFT]: Voice sample: "I've been running this newsletter for three years. People keep asking what tool I use. The answer is Substack and a notes app — the same two things everyone uses, and the same two things no one wants to hear when they ask. The interesting question isn't which tool. The interesting question is what makes one newsletter worth opening and another worth skipping, and the tool has roughly zero to do with that. I'd rather talk about the second question. But I get the first question more often, so here we are." Draft to revise: "This article will explore the importance of consistency in newsletter publishing. Studies have shown that newsletters published on a regular schedule see higher engagement rates than those published sporadically. The recommended cadence is typically weekly or biweekly, depending on the niche and audience preferences. By committing to a consistent schedule, writers can build trust with their readers and establish themselves as authoritative voices in their space."
Example output
**Voice diagnosis:** The voice is conversational and slightly resigned. It opens with a setup, then questions the premise of the question itself, then redirects. Sentences vary widely in length, with short emphatic ones doing rhetorical work. It uses meta-comments ("but I get the first question more often, so here we are"). It avoids puffery and obvious filler. It doesn't reach for studies or generic best-practices; it sounds like someone who's been in the work. **The revised draft:** Most advice on newsletter consistency is the same advice you've heard fifty times: pick a schedule, stick to it, weekly or biweekly, your readers will reward you. It's not wrong. It's just not the actual question. The interesting thing isn't whether you publish weekly. The interesting thing is whether the people who already subscribed open the issue when it lands. Cadence helps with that, but mostly because of what cadence implies — that you've decided this is a thing you do, not a thing you intend to do. People can tell the difference within about six issues. Schedules are the easiest way to send that signal, but they're not the signal itself. If you want the short version: pick a cadence you can hold. Don't worry too much about which one. **Notes on changes:** - Replaced the "studies have shown" framing entirely. The voice sample wouldn't reach for that move; it would push back on the question and answer it on its own terms. - Cut "establish themselves as authoritative voices in their space" — that's exactly the puffery the voice avoids. - Added a short emphatic sentence ("It's not wrong. It's just not the actual question.") to match the variance in the sample. - Closed with a tighter "if you want the short version" that mirrors the sample's resigned-but-helpful posture. **What didn't transfer well:** The original draft is almost pure best-practices. The voice sample pushes back on best-practices. So the revision is shorter than the original because half the original was filler the voice would have cut. If you want the revised piece to be the same length as the original, you'll need to add real content (specific examples, a story, data the voice would actually quote), not pad it back to length.
🌀 Claude

Voice Tone Matcher

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CLAUDE-5-SONNET
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Give it a real sample of a target voice and a draft; it rewrites the draft so it could have come from that writer — without blandifying it into generic "professional" prose. You get a voice diagnosis (the attributes it found), the revised draft as clean prose, notes on the patterns it changed, and what didn't transfer: where the draft resisted the voice, or where the voice would say something the context can't. Content stays; only voice moves. One of 40 in the Pemway Power User Pack.
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Updated 2 days ago
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